Archive for the This and That Category

Happy 2017

Posted in Education, Equipment, Music Business, Players, This and That with tags , , , , , on January 18, 2017 by theguitarcave

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I hope everyone had a great holiday season and is looking forward to the New Year! It will definitely be one full of many challenges. I think we can agree on that, yes? No matter what comes along, music will help with anything the universe has in store. We’ve all seen how powerful the effects of music are on people in all kinds of situations and certainly I make it a point to never forget how healing the ability to play, listen and appreciate music is. Definitely one of the major joys of our existence on this planet. Never forget or take for granted!

Also, in the spirit of new beginnings, I am rolling out another type of Dispatch, one that will allow me to cover an assortment of small items within one post. It’s the same kind of formula as the GuitarSongs series, which I was really enjoying and will pick up again in a few weeks. ShortRiffs will cover everything going on in my life, music-related and not. The Gimme Shelter and Vital Van posts, which are full of music, but also full of other stuff, are two of the most popular posts I’ve done and I want to do more of that kind of writing. The name is a word play on the (guitar) riffs we all play combined with the old slang of “riffing”: a short piece of speech or writing that develops a particular theme or idea. Ideally, that is what I will attempt to do and maybe even have a thread that will snake through a few or several of these posts; like an old-time serial.

As always: I totally appreciate everyone who reads, comments, and sends notes. This blog is almost 6 years old with 116 posts and 50,000 visitors. I never thought it would be the thing it is today and I have only my awesome readers to thank for that! Take care and keep playing!

Cool CDs — COWS, 5678s, High on Fire

Posted in Music Business, Players, This and That with tags , , , , , , , , , , , , , , , , , , , , on June 7, 2016 by theguitarcave

Every once in awhile I listen to a bunch of loud music from my old days…the 90s. Above is COWS bringing it from 1996 in Minneapolis. Saw them that year! In addition to regular club dates they were on the Indie stage at Lollapalooza and toured with TOOL. They completely plow through these songs with their trademark razor wire guitar + throbbing rhythm section + demented front man with total abandon! There are quite a few live COWS shows from those days up on YouTube now and that is a great thing! Brings it all back for us who were there and helps those who weren’t and wished they could’ve been glean a little of what it was like. Bands like COWS should be preserved for posterity. That was some a-ok fun and reckless stuff happening right there ladies and gentlemen.

I hear, well saw actually, that there was a reunion show in Minneapolis last year that was very well-attended and enjoyable for all who were there. I think there have been a few of those over the past couple of years, but guitarist Thor Eisentrager bowed out in 1998 and has never returned. I think that is why today if something happens they are referred to as COWZ. There have been releases (?) of old material and some different things?. Of course, Amphetamine Reptile Records is the label that released all of the COWS material and a whole lot of other great aggro-noise besides. They are still in existence, in a limited way. I got the hankering to DO SOME MOO (listen to COWS) and looked through my stacks. I knew I still had some COWS cds and I do and I threw them on and started looking about the internet to see what’s what. I found out that Old Gold, which is a compilation of their first 3 albums: Daddy Has a Tail, Effete and Impudent Snobs, and Peaceticka, is completely out of print. Hmm. I would imagine the albums it represents are also long gone, but, through the magic of YouTube, they LIVE, NOW ON your computer. Pretty cool.

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The music on Old Gold is pretty crazy, especially the early stuff. COWS hadn’t quite worked out their sound and presentation yet, but tracks like Camouflage Monkey, Shakin’ and Memorial (always in rotation in many COWS sets) prove that even back in the late 80s, they had all of raw energy and power necessary to become a great punk and noise band. Some of the other “songs” like Dirty Leg, Whitey in the Woodpile and Bum in the Alley are just plain weird. By the time you reach Peacetika (peace sign and swastika get it?) the band is really coming together. Hitting the Wall (one of the band’s defining tunes) is some of the most unhinged, volatile, molotov-cocktail music produced by anyone ever. The title track is also a great tune — an “instrumental” sound collage that drives in a Sonny Sharrock meets Joy Division direction that I wish the band would’ve explored further. Cant’ Die and 3 Way Lisa are also le terrifique! There are a few folks out there who think Peacetika is the best COWS release and it is definitely #2 for me! (I review 1992s Cunning Stunts, in the right column and believe that to be #1, though not by much.)

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The COWS songs had both feet in the disaffected rage of the Beavis and Butthead trailer-park generation; that slimy underbelly of the rust belt towns that were once built around a church and a somewhat stable economy. Kind of like the movie Fargo if everyone acting in the movie did so on 3 hits of really hot blotter and a tub of Big Mickeys. They represented and embodied the post-industrial, post-modern, post-Grand Funk/Stooges generations even if some of they did was pure drug-induced psychosis or prairie schtick. Musically there was a mess of blues, jazz, and the sounds Midwestern rock icons like The Stooges and Alice Cooper scattered throughout. Sometimes what sounds like a guitar is actually a bass line all distorted, effected and played with a slide! I can’t say for sure he invented it, but I’ve never seen anyone but Kevin Rutmanis play bottleneck bass. On cuts like Shitbeard, off of the Sexy Pee Story disc, both Rutmanis and guitarist Eisentrager play slide on their respective instruments! Whoa! Talking about rippin’ up the rule book! Any pretense of typical technique is not really evident, but repeated listening will prove that these guys worked hard on putting together a group sound that was much more than any one individual’s musical abilities. Supposedly guitarist Thor would come to sessions with pages of his parts notated out. There is a lot to enjoy and learn here and I hope there are younger musicians out there who pick up on it. This is one of the things people did before there was an internet and American Idol and running through the East Village because of a rumored Kanye West secret show on a post office loading dock. Ok…so maybe it would’ve been at Webster Hall. Still. LOL. srsly?

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Anyhow, in the course of going through my stuff I came across discogs.com, which is a pretty hip, user-generated-type site that has all kind of really important information pertaining to the recorded media one may have. This is where I found out that Old Gold is something people want. What’s even more bloody brilliant is that I have a promo copy of Old Gold too. I have no idea where I got this, but it’s in great shape, except it looks like it’s 20 years old. Oh wait…it is.

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The track listing isn’t any different, but I saw that someone is asking almost $100 for it on Ebay. Wow! Of course, vinyl is the way to go! Some of that stuff is really worth a lot, but I don’t have any. I’m glad people are seeking out these COWS releases…Way cool! I’m sure it’s tough to drum up the support necessary for a full re-release so hopefully everyone who wants a copy will somehow manage to get one. I may even part with mine eventually, who knows?

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Another CD that I have is this one by The 5678s — a band favored Quentin Tarentino (the band made an appearance in the movie Kill Bill) and assorted guys with backpacks everywhere. New CDs are selling on Amazon for $150. Holy Smoke. These gals were/are sassy and sultry and they got the Americana retro thing down like a shimmyshack. I saw them a long time ago in a small club in NYC, but they were pretty ordinary as far as really being able to bring it live unfortunately. Maybe they had jet lag. Japan is pretty far away, you know? I gotta say though…they gave it their all and looked fantastic!

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I’m pretty sure I bought this from my friends at Vital Music Records a long time ago. I like this CD and love the Americana music even more than I used to, but I do, in my old age, prefer the polish of someone say, like Friends of Dean Martinez over the kitschy power of The 5678s. But, as with COWS, i’s great younger people seek this stuff out. Rock and roll is a force you need in your life!

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The last thing I found diggin’ through the stacks was this copy of High On Fire’s first release. This looks to be an in-demand item on discogs.com too — 91 people want it and only 17 people have it, although no price is mentioned. This release was put out by 12th Records, which I think, didn’t do anything else after.

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The three songs that appear on this CD would also appear on the Man’s Ruin release The Art of Self-Defense in 2000, but I’m pretty sure they are different versions. Master of Fists is slower and sludgier, but all three are performed very well. It’s easy to see that guitarist/leader and ex-member of the legendary Sleep, Matt Pike, already had his sound, style and riff factory up and running it was only a matter of time before the metal world caught on.

Well that’s it for this first installment of CDs. I have some more to put up soon.

Guitar Teevee in the 1970s

Posted in Music Business, Players, Playing, This and That with tags , , , , , , , , , , , , , , , , , , , , on March 16, 2016 by theguitarcave

Back in the day it was an everyday occurrence to see people with real talent playing a guitar on television. Sadly, that’s not true anymore, but through the magic of YouTube we can return to the days when variety shows, live concert shows, and even situation comedies had great music. Judging by the views on some of the videos I check out, there are a whole lot of other people out there viewing these videos too. Oh yea!

Roy Clark was all over television in the 1970s. He was a bonafide recording star, multi-instrumentalist, vocalist and a proven marketable guy as Hee Haw, the show he co-hosted with Buck Owens, was on for over 20 years. He guest-hosted for Johnny Carson and also made appearances like the one above where he is plays a country medley with the always funny Flip Wilson on The Flip Wilson Show. It was awesome how these skits and musical numbers could show up anywhere and how live, well-played music was an integral part of many entertainment shows. Below Roy stars in an episode of the Odd Couple that includes his pop hit Yesterday (When I Was Young).

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Another country-type who was all over 70s television was the incomparable master of the 6 string, Chet Atkins. His performance of the popular song usually associated with Anne Murray, Snowbird, is a study in fingerstyle guitar wonderama. Check out the sweep picking he works into this performance! Unfortunately I don’t know what show this is from, but the medley performance below is taken from The Johnny Cash Show. It’s gems like these two videos that show Chet was always so much more than a country picker.

Speaking of Snowbird, like Stewie from Family Guy, I
💘 Anne Murray and this performance. Pretty lady, beautiful voice and a very poignant song. Always loved the harmony vocals too!

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This vid of John Hartford playing his song Good Old Fashioned Washing Machine is probably one of the oddest things on YouTube. It’s actually from 1969 and is one of Hartford’s “novelty” numbers. He gets a lot of help from The very bubbly and photogenic Lennon Sisters, Perry Como(?) and Jimmy Durante, who fell over after the song ended. Weird. In the old days television was geared toward a mostly rural and less er, sophisticated audience. In 1971 there was a “Rural Purge” of a lot of these kind of shows from the networks and the programming changed to more “urban” material (All in the Family and all of it’s spin-offs), shows dedicated to more controversial subject matter (MASH) and shows that appealed to a younger audience. This was the beginning of a new direction in television programming and was certainly reflective of all of the change that had occurred during the 1960s, and a new generation of viewers.

One neat-o thing that came out of this change was that shows that featured rock band performers started appearing and sometimes the bands really played and didn’t just mime their way through the performance like this great clip from The Doobie Brothers from a 1975 Midnight Special performance. As far back as the 50s when Steve Allen and Ed Sullivan put Elvis Presley on television, rock and roll was a big seller and it continued to be a popular way for bands to reach an audience in the days before video and MTV. Great performance of the always awesome Doobies in their prime!

Another show from this period was Don Kirshner’s Rock Concert. Sometimes the performances were dubbed like this one with Bad Company. The vocals and harmonica (who’s idea was that?) are live but I don’t think anything else is. There were a lot of DKRC that were live and pretty killin’ though and a search on YouTube will turn up some good ones including Focus, The Ike and Tina Turner Revue, and a great 1975 set from Black Sabbath including Snowblind. Like how I’m working the snow angle today? Another great performance was the almighty George Benson playing his signature hit Breezin’ in 1977. George was playing his butt off!! during this period and still is all these many years later.

In England there was a show named the Old Grey Whistle Test that presented all kinds of great music from the era. I have a couple comps videos of all kinds of assorted performances and they were all pretty BOSS! Here is a very un-Priestly looking Judas Priest playing Dreamer Deceiver on the OGWT in 1975. They almost look like Lyrnyrd Skynryd. This song was later used as the title for the documentary Dream Deceivers: The Story Behind James Vance Vs. Judas Priest, which was the famous court trial where Priest were accused of putting subliminal “kill yourself” messages in their music that resulted in two “fans” shooting themselves. The band prevailed and the charges were dismissed once Rob Halford took the witness stand. Quite a long way from Roy Clark playing Mountain Dew, but hey…nobody ever said life was easy.

I think this is a good idea for a series. There is a lot of good and sometimes unusual stuff out there and as long as the links hold up on YouTube, it’s all GooD!

When the Circus Leaves Town

Posted in Music Business, Players, Playing, This and That with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on March 16, 2016 by theguitarcave

…and we’re back! It’s been almost two years since I posted. I was diagnosed with a serious illness and had to have two surgeries, a few hospitalizations, and a bunch of other stuff. I spent last year in treatment and rehab and finally life has gotten back to a semblance of normal. The treatment was/is unpleasant, but since it seems to be working I’m not going to complain too much since the alternative (if treatment wasn’t working) no one would ever hear me complain again. Because of the surgeries, playing guitar can be a challenge, yet I find I’m playing better than ever and still enjoy it. People still read this blog and sometimes they write in and say nice things so I am going to keep it going for another year. There will be a flurry of activity over the next month or so, including a video lesson of my favorite licks. THANKS to everybody who wrote in last year about my post on Jim Croce and Maury Muehleisen. Also, THANKS to those folks who wrote to tell me of Bill Fritsch’s passing. He figured prominently in the 60s San Francisco scene and in my post Gimme Shelter and the Rolling Stones concert at Altamont. THANKS to everyone who comments or sends me messages! I really do appreciate it. I’ve adjusted to my situation. Everyone bangs into the hard wall of their mortality sooner or later. I’m grateful that I am still here and hopefully I’ll be here for a while.

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Some people who were really important in music, life and entertainment have died since 2014. I’m not trying to be overly morbid or anything, but some of these performers were really important to me and a whole lot of other people and their passing leaves a void where they once were. Soon there will be more great musicians in that band in the sky that on planet earth. The people who made the music and entertainment for the Boomer and Gen X generations are rapidly leaving town and it makes me wonder what will be left when they are all gone?

Lemmy Kilmister from Motorhead! Wow! Shocking! Who will ever replace him? The guy had a rock and roll pedigree that went back to the 60s when he was a roadie for the Jimi Hendrix Experience. He was in Hawkwind! He basically invented the brand of loud speed rock that he spent almost 40 years playing and never compromised for anyone. I saw Lemmy at Heathrow Airport in London back in 1988. I had just landed for a visit and then we were both at the luggage carousel. He was wearing an all white leather suit and his complexion, color, whatever you want to call it, was whiter than the suit. BADASS! Motorhead’s performance here is from the British sit-com The Young Ones, which featured comedian Rik Mayall, who passed away in June of 2014. A pioneer of early 80s alt-comedy, Mayall’s over-the-top performance in The Young Ones and many other appearances (BlackAdder, Bottom) earn him a rock and roll mention!

A long time ago I posted this interview with Yes bassist Chris Squire…well it’s not really an interview; he tells a story about opening for the Jimi Hendrix Experience in London in 1967. Squire’s band YES was HUGELY popular in the 70s and 80s and he was always a big part of their sound. It’s hard to imagine any dudes my age that weren’t touched by this band at least a little bit. Always amazing musicianship and songwriting and basically one of the main pillars of progressive rock. I still like to crank this up once and a while and thanks to YouTube a whole lot of their prime entire concerts are online.

Riley “Blues Boy” King, who I wrote about here back in the day was one of the most influential musicians ever. From his early days on radio, through his groundbreaking Live at the Regal album to world-wide super-stardom, no one played and sang the blues like BB. He was also one of the hardest working people ever and was playing his signature heavy vibrato blues/jazz licks right up ’til the very end. The fact that he influenced everyone from Eric Clapton to Duane Allman to Adrien Moignard speaks volumes on his talent and wide-reaching appeal.

While I was never a huge fan of any of these guys, they all made their mark on the development of rock guitar: Gary Richrath, Sam Andrew and Paul Kantner. I remember watching Gary Richrath on TV in the 70s and then seeing his band REO Speedwagon live in the early 80s. I really liked the live album, You Get What You Play For and was ok with You Can’t Tune a Piano But You Can Tunafish, but I hated the multi-platinum ballad rock of High Infidelity, so I bailed after 1981. I really dug his Les Paul/Marshall sound though and he really had it goin’ on back in the day. Definitely knew how to move a crowd! Sam Andrew from Big Brother and the Holding Company and the Kozmic Blues Band and Paul Kantner from Jefferson Airplane/Starship were both legendary guitarists/instrumentalists and had long careers in the business. This clip of Big Brother at Monterey is the stuff of hippie nirvana and Kantner was the longest-serving member of the Airplane and the guy who engages Bill Fritsch of the Hells Angels in a “discussion” about the violence that is happening at the Altamont concert after Airplane singer Marty Balin gets knocked out trying to break up a fight. Here is that exchange along with the Airplane song The Other Side of This Life in all of it’s acid drenched, boob-shaking glory.

Another cat from San Francisco I really dug was the late Dan Hicks — singer, songwriter, guitarist and swing band leader par excellence. Dan and his various bands like The Hot Licks and The Acoustic Warriors had that Hot Club meets Bob Willis swing sound and I have long been a fan. Supporting musicians included the incomparable Sid Page on violin, John Girton on guitar and future Hot Club of San Francisco leader/guitarist Paul Mehling. Vocalists Naomi Eisenberg and Maryann Price always helped give the band and extra layer of awesome-ability. All of Hicks’s songs were filtered through his trademark dry, deadpan humor and considering The Hot Licks opened for bands like Steppenwolf back in the early 70s I think it’s fair to say that he qualifies as a true legend in the acoustic/swing community. All of those old records, if you can find them, are treasures! I will write more about Dan and his bands in an upcoming post.

Glen Frey of The Eagles died recently and you know what’s amazing? I have had literally a thousand albums, tapes and discs pass through my hands over the years. I have weeks worth of songs on a hard drive. But I have never owned an Eagles album or even had Eagles songs on a mix tape. I don’t know what that says about them…or me? A whole lot of people did like The Eagles though…they sold an staggering amount of records.

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Of course the biggest star to pass away in the past two years was David Bowie. I wrote a post on Bowie’s first guitarist Mick Ronson way back in the early days of the blog. I must confess I wasn’t Bowie’s biggest fan. As a rockin’ dude, I certainly liked some of his stuff and loved Mick Ronson’s guitar playing, but thought Bowie’s output was uneven over the years. While I love tracks off of his first 6-7 albums, I don’t think he ever delivered a solid classic album like Rubber Soul, ZOSO, Who’s Next or Exile on Main Street. The Rise and Fall of Ziggy Stardust and the Spiders from Mars was certainly very close. In the pre-Let’s Dance days, before he was a world-wide phenomenon, what I remember is that Bowie was really hot with the girls. Women LOVED Bowie. He had the same type of appeal as Freddie Mercury and Queen in that he combined hard rock with Bertolt Brecht and Edith Piaf so as a listener you were never sure what was coming next, rock and roll or a lounge act. Vocally, he seemed to be exactly equal parts masculine and feminine…sort of like how Miles Davis played trumpet. I probably appreciate his ambient music now more than I did before, but still dislike a lot of the “industrial” stuff. Don’t think I’m ever gonna be a fan of machine music…sorry.

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Bowie was a multi-instrumentalist and played a lot of guitar over the course of his career, including almost all of the guitar on the Diamond Dogs album, which had the “hit” title track and the genre-defining Rebel Rebel. He was also really good at bringing the right musicians together and pushed them to perform well. He worked with some of the best guitar players ever, including, Ronson, Carlos Alomar, Nile Rogers, Stevie Ray Vaughan, and Earl Slick. Here is a video interview with the late Mick Ronson that serves as a great retrospective of his early guitar days, the years with Bowie, and offers some insights into Bowie the artisté.

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I listened to the Station to Station disc recently and it was pretty good—it’s fun to throw on discs that haven’t been played in a while. Golden Years is a pretty great song isn’t it? Back when I interviewed Mick Ronson in 1989, I mentioned really liking the guitar sound on some very early songs like Running Gun Blues, Black Country Rock, and Width of a Circle. He was pleasantly surprised that someone in America would know and like that material since the album, The Man Who Sold the World, in it’s pre-Nirvana Unplugged days, wasn’t very well-known or popular. I still like that material a lot…it was really fucked up…in a good way. David Bowie and all of his artistic partners definitely expanded the borders of music, fashion and art and he deserves a lot of credit for making life, music, and the arts more interesting and colorful…and my girlfriend really, really, really liked him.

The “5th Beatle”, Sir George Martin, just passed away last week at the age of 90. Wow! What a great life! If he had done nothing but produce The Beatles from 1963-1969 that would have been enough, but of course, he did much more than that. Since he was older than many of the artists he worked with over the years he brought a very paternalistic presence (as well as a great set of ears and a wide wealth of musical and technical knowledge) to every project he was involved in. He would also go on to produce another of my favorite albums, Jeff Beck’s Blow By Blow. Totally awesome record, which is why it ranks a review in the right column.

Keyboard master Keith Emerson, from Emerson Lake and Palmer fame took his own life last week. According to reports he was suffering from depression and heart disease and shot himself with a firearm. According to his girlfriend, he was also suffering from hand issues that prevented him from playing at the virtuoso levels from his glory days and was trolled by fans on the internet who didn’t like his new music. Pretty messed up if that’s true…While I wasn’t ever a huge fan of ELP, like YES above, it was inconceivable that anyone from my background could not know who they were and recognize songs, like Lucky Man, From the Beginning, and Karn Evil 9 (Welcome Back My Friends), and Still You Turn Me On. One of the giant bands of the progressive era.

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While he wasn’t a musician I’d give a rock and roll salute to Ken Stabler, 70s quarterback for the Oakland Raiders. “The Snake” was a rock and roll outlaw cut from the same cloth as Ronnie Van Zant and Clint Eastwood’s 70s Man with No Name/Josey Wales characters. He had the rock and roll hair, “studied the playbook by the light of the jukebox”, practically invented the late 4th quarter comeback and led the Raiders to some of the most exciting victories in pro football and finally to Super Bowl victory in 1977. I used to LOVE watching the Raiders play late on Sunday afternoons. You just never knew what was going to happen until the final seconds were up. His family related that Lynyrd Skynyrd’s Sweet Home Alabama and Van Morrison’s When The Leaves Come Falling Down were part of the soundtrack to The Snake’s peaceful passing. One of his last acts before dying of complications from cancer last year was to donate his brain to a study of CTE (chronic traumatic encephalopathy). He was found (post mortem) to have had Stage 3 of the illness (in part or totally) thanks to all of the hits he took as a quarterback decades earlier. I wish he had achieved the recognition when he was alive, but I’m glad that he will finally be enshrined.

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Closer to home, right after New Year’s 2015, my friend and the long-time musical director for CAB CITY COMBO, Paul Rubin, passed away. I wrote about the Combo here and here back in the day and in wake of his passing a couple of albums have been released here and here. We had a lot of fun over the years making music and silliness and although we had stopped in 2004 there was always the possibility that we might do more. That’s the thing about death: it’s always so final. Paul was also a very good friend and everyone knows how hard it is to lose a good friend. Unfortunately, once the 50 year-old milestone is passed, losing people is something that becomes a bigger part of life. I always valued his opinion and input on things I was doing and he was an early supporter of my gypsy jazz enthusiasms. We went and saw Tchavalo, Dorado and Samson Schmitt along with Florin Niculescu one hot summer day in the Jazz at Lincoln Center space many moons ago. Great concert, great time. I had plenty of these moments with Paul over the years and I am glad I can look back with happiness and a certain measure of pride on all the things we did together.

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Finally, my mother also passed away last week. She and my father both had a great love of music, but it was my mom who always indulged my passion for it and helped me along the way. She had played horn and piano when she was younger and her side of the family was very musical. She also taught me the importance of fortitude, perseverance, and hard work in the attainment of meaningful goals. The first guitar I ever played was actually hers…given as a present by my father one Christmas. She was never a great fan of rock and roll and couldn’t understand why I played it so LOUD, but the fact that I liked it was enough for her to grudgingly respect some of it. She liked The Beatles, Yo Yo Ma, Arlo Guthrie, and Simon and Garfunkel. She was impressed with Eddie Van Halen’s writing and playing skills, loved classical music and enjoyed coming to Lincoln Center, especially if it was for The Mostly Mozart Festival. She was an influential, well-loved person to her family, friends and associates, but above all she was…MOM. It hurts to lose one’s mother, but now she is free and forever out of pain.

All of these people shaped me to one degree or another and some of them shaped entire generations. That kind of influence does not dissipate with their passing because it remains in their creations and in people’s memories. Guitar players and other musicians keep other musicians alive by playing their licks or covering their songs. Music that was written almost one hundred years ago is played constantly at blues, jazz, and gypsy jazz jams all of the time. We all owe a debt to those people who have meant so much to us and we can make their legacy (words, music, creations, thoughts and deeds) eternal and if we do, and if we bring some of our own legacy to the world, then we too will remain even after we are gone. The circle of life is, after all, the circle of life.

Odds and Sods

Posted in Players, This and That with tags , , , on June 29, 2014 by theguitarcave

Amazing the things one learns through the power of the internet doing research for silly articles. After finishing this post on Led Zeppelin’s interviews in Guitar World back in the day, I learned that Robert Plant’s mother is from the Roma community! That explains a lot. Don’t you think?

GQ: After all these years, how on earth have you managed to keep your hair like that?

Robert Plant: Well, I don’t know. We could be quite serious about it. I just have been very lucky. My mother was a gypsy, and she had a lot of dark blood in her, and her hair was very, very thick—she couldn’t even get a brush through it. So I have been very fortunate. And every time I go to cut it off, hairdressers refuse to do it.

It looks like I am not the only person who thinks more people were interested in t-shirts as far as The Ramones were concerned. (Hahah) This is part of an ad campaign using the reverse psychology thing to get hipsters to buy beer…or something. Does the world really need another craft beer? Seriously? I didn’t go looking for this, it just kind of appeared this morning…But the lesson here is Buy the discs people… t-shirts fade, get holes and fall apart. CDs and Mp3s are forever and even vinyl lasts a long time if you don’t pass out at a party and leave it up against the heater.

Listening to Johnny Ramone muse about how The Doors might be the greatest American rock band ever I decided to revisit their music. Of course I have heard all of this stuff over the years and you know what? It still holds up. The best? I dunno if I can go there, but when Jim Morrison was semi-sober and into it these guys were pretty flippin’ good. They were also very influential in the same way the Ramones were. Just ask Billy Idol or Iggy Pop.