Archive for John Jorgenson

ShortRiffs — March 2017

Posted in Education, Music Business, Players, Playing with tags , , , , , , , , , , , , , , , on March 30, 2017 by theguitarcave

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Welcome to the March issue of ShortRiffs! Winter is almost over and Spring has sprung…sometimes. As always, there is some guitar-related stuff in the news, including some sad stories for us older folks. But it’s to be expected… I guess. Time keeps on slippin’ into the future and all that.

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CHUCK BERRY One of the founding fathers of rock and roll has died at the age of 90. What a life! What a legacy! There will never be another like him you can be sure of that. Anyone who has ever read his autobio or seen Hail Hail Rock and Roll knows what an iconoclastic character Chuck was; a driven, intelligent and very dangerous guy! It’s not hyperbole to say that pretty much every guitar player who came after owes some debt to Chuck’s jazzy, rocking guitar style. This was explored and best explained by none other than Eric Clapton in the Hail Hail movie. The patented Chuck Berry double-stops, slurs and bluesy bends formed the basis for many an early fledgling guitar player and on certain songs or in certain situations they actually sound better than other guitar options. While Chuck didn’t invent any of this technique, he certainly popularized and took it out to the mainstream and sold it well. Who else from the early days of rock and roll casts as long a shadow? Chuck’s style and music continue to be an influence on countless rock and rollers all over the globe. He’s the guy who launched 5 million bands, easily. Interestingly, he has said that “rock and roll paid the bills but his heart was in the big band era”. This is something I have alluded to in a number of posts on this blog: The big band era never gets the credit it deserves for its influence on the rock and rollers who came along in the 1950s, and then everything else that followed.

But Chuck Berry was much more than a singing guitar-slinger. He was a songwriter par excellence and his music was quintessentially 1950s post-war America; hot cars, juke joints, pretty girls, hamburgers, dancing, wide open highways, falling in love, and rock and roll. It was the music of a country that had plenty to offer and was a testament to the belief (especially at the time) that there was no greater place on earth. That’s what I see in all of Chuck’s performances and hear in his music, even the difficult personal relationship music. As long as life gives me the opportunity, I will make something of it! That can-do attitude, immense natural scope, and awesome lifestyle possibilities that made America the envy of the world really helped create the soundtrack we all know as rock and roll and nobody personified, enunciated and delivered it better than Mr. Berry. In time many other entertainers, including Brian Wilson, Jagger/Richards, Lennon/McCartney would expand on the very fertile ground that Chuck had tilled to create their own vision and version of the land of dreams and opportunity, but they all acknowledged the debt they owed to the original rock and roll Shakespeare! I am not unhappy that Chuck has left the building though the world is much poorer without him. Chuck always did what Chuck wanted to do when Chuck wanted to do it. If he is gone now, it’s because that is what he wanted and who am I to question what Chuck wanted? Long Live the King!

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Speaking of dreams and opportunities — Back in this post on Jimi Hendrix, I mentioned an old book in my possession, ‘Scuse Me While I Kiss the Sky. This book, Rock Dreams, one of the campiest and most far-out books ever done on the subject of rock and roll, has been in my possession for just as long. I recently found it at the bottom of a closet full of stuff. The book was written by Nik Cohn and illustrated lovingly, controversially and very gay-ly (for the time) by Guy Peellaert, an artist and illustrator probably best known for the David Bowie Diamond Dogs and The Rolling Stones’ It’s Only Rock and Roll album covers. The book had been put together the year before (1973) and according to Wikipedia it reportedly sold a million copies after it was published the following year. The book consisted of Peelaert’s visual illustrations which celebrated and exaggerated the rebel heritage of pop music and, particularly, rock and roll, with commentary by Cohn. Many of the original artworks were bought by actor Jack Nicholson. While the exaggeration is full-blown in some slides (as only the 1970s could be) the compositions and settings of some of the artists are really good. They transmit all of the visceral power that rock and roll promised and sometimes, delivered on. There are pics all over the web of this book, and it’s still available if you want to get your inner Rebel Rebel on!

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If you missed it, here is my review of the Django a Go Go concert that was held at the beginning of March at Carnegie Hall. My girlfriend and I had a magnificent time and we saw Stochelo Rosenberg (and Al Di Meola, Stephane Wrembel and many other great musicians)! It was totally a blast and we got our money’s worth of almost 3 hours of great guitar entertainment. Originally it was going to be part of the March ShortRiffs, but I go into a lot of detail. Check it out!

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Brian Setzer won Vintage Guitar Magazine Featured Artist of the Year. John Jorgenson came in right behind him in the same category. Both players stay incredibly busy and are at the top of the guitar-playing game so it’s great to see they are recognized! Brian Setzer’s Rockabilly Riot tour is happening in the USA in June of this year.

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Unfortunately, according to his wife, Glen Campbell, who I wrote about here, has now lost the ability to play guitar because of his Alzheimer’s condition. While everyone knew this was coming, it is a bummer and as someone who saw a loved one die of a degenerative brain illness I can relate to the pain and frustration of the family and loved ones, and, of course, Mr. Campbell himself. I only hope that until the end he remains somewhat cognizant of how important he and his music were to so many people for so many years. As a guitar player, he was just fantastic and some of his songs are very memorable moments in the American pop song lexicon.

John Jorgenson

Posted in Players with tags , , , , , , , , , , , , , on August 8, 2011 by theguitarcave

John Jorgenson is one of the hottest  purveyors of Gypsy-Jazz in the USA. He has had a long-standing love affair with Django Reinhard going back to the days when he played at Disneyland as a youngster. The guy is a monster, not only on guitar, but also 8 or 9 other instruments. I had the pleasure of seeing his Gypsy quintet a few years ago in NYC and they were great! It was really cool to be sitting 6 feet away and watching John because I’ve heard his playing and back in the day I read about his complete command of the guitar in magazines. He did not disappoint at this show and he is also a really cool dude. A gentleman. Also, he was playing his signature Gitane DG-320 Modele John Jorgenson, which is the gypsy-style Selmer I have (and I love my DG-320!!). It was awesome to watch him tear it up on that guitar and also great that he was using something he endorsed. Not everyone does that you know?  Here is an online lesson he did with Acoustic Guitar.com and below is one of the songs from the show that I really liked, Ghost Dance.

John has been a guitar hero for a long time and last week while I was spending a few hours on Youtube (I LOVE THE TUBE) I remembered when I first heard about him with The Desert Rose Band and The Hellecasters. Both of these bands and John won so many awards he probably has a room in his house set aside for trophies and accolades. I was always a fan of The Byrds and would definitely list them as one of the best and most influential American bands ever. Chris Hillman, who was the bass player/vocalist in The Byrds and Flying Burrito Brothers, formed the The Desert Rose Band with John and Herb Pederson in 1985 and a string of hits and rave reviews followed. The DRB is what I think Country Music should sound like as I’ve always partial to what people in the 1960s — The Byrds, Buck Owens, Merle Haggard, Gram Parsons, Flying Burrito Brothers, Bob Dylan, The Rolling Stones, Johnny Cash and many others did with country to get it out of the Opry and merge it with blues and rock and roll. The Desert Rose Band have that kind of vibe and manage to avoid the excesses that turned modern Country Music into… I don’t know what. Of course, one thing all of the above bands had or have in common — great guitar picking! The DRB had two great pickers, JJ and steel player JayDee Maness, who is easily one of the best in the business.

The Hellecasters were also astounding and I remember reading guitar mags in the early/mid 80s and they won every category not won by Eddie Van Halen or Stevie Ray Vaughan during those years. John, Will Ray and Jerry Donahue actually got together because Michael Nesmith (yes that Michael Nesmith) wanted them to do an album as a gag. Nesmith actually released their first two records on his label and guitar players everywhere were like WTF? John was in his REALLY BIG HAIR period here and looks like a total rock star. Of course he rocks the hell out of his caster, as they all do, hence, the name.

John has also played for a lot of really big stars like Elton John, Bob Dylan, Willie Nelson, Johnny Cash, Emmylou Harris, Hank Williams Jr., Barbra Streisand, Luciano Pavarotti and many others. As I said earlier, he can play a whole ton of instruments, is a REALLY NICE guy and tells really cool stories. When I saw him he played Benny Goodman style clarinet on a song he had recorded with Peter Frampton called Souvenirs de nos Peres. That is the first of the final two videos below (it’s a little hard to watch because it’s sideways). But John gets a nice sound on the clarinet and it’s a really cool song courtesy of Peter Frampton. The second video is John with Roger McGuinn and Tom Petty sometime in the 1990s playing Mr. Tambourine Man. John is obviously an in-demand guy and a player at home in just about any situation. He has certainly produced a TON of great music over the years and is very generous about sharing his knowledge with other players. Obviously Gypsy Jazz is a really big part of what he does now and if you have a chance to see his band, I recommend going. He brings in a lot of other music and influences, but manages to retain the fun, swinging vibe that is the essence of the music.  Also, follow that link above for a Gypsy Jazz lesson or search for some of his other stuff and GET YOUR SWING ON!