Michael Hedges

Summer’s Almost Gone

a languid and lazy atmosphere pervades my world now…perfectly and sublimely captured and described by the lazy blues, world-weary vocals and Eastern European pop sensibilities The Doors bring to this song off of their Waiting For the Sun LP. Hard to believe that the 50th Anniversary Edition of the album will be available this year. That would make Jim Morrison almost 80 if he were alive today. Shocking Man! At some point in the very near future this album will figure in a series of posts on journalism, rock writing, Rolling Stone Magazine Conspiracies, Alex Jones and that weird celebrity black eye thing…or is it the one eye thing? Pretty scary! Remember the good old, innocent days? When rock stars just put subliminal messages (so you thought) in their music and then people played the discs backwards and heard things like Ringo is face-down in indian food pronto after the Mandrax boy! and Don’t Kill Yourself Buy More of Our Records!. Bill Hicks kind of demolished the logical thinking behind why rockers would put messages that would be harmful to their (record buying) audience. That didn’t and hasn’t dissuaded people from making and remaking the claim! Supposedly, Stairway to Heaven reversed, as proved by a televangelist in 1982 said:

…which really makes no sense. Toolshed? Why would Satan be sad? What does it mean to “get the 666”? I never heard that one and I did a lot of bong hits! Robert Plant was quoted as saying a guy would “have to have a lot of time on his hands” to even consider doing something like this. But maybe not if he’s flat-out just making stuff up that doesn’t have to really make sense. Personally, I couldn’t ever do any of this fun shit even when I was rilly, rilly stoned, ’cause all I ever had was the Kenner Close N’Play…’cause it played when you closed and…

In the meantime: Thanks G-d for MUSIC! (as they say). I’m not a very religious person and I don’t even consider myself “spiritual”…or astrological. All I know is that there were something like 6 planets in my chart retrograde this month so trying to do anything was not…encouraged. Rather, I was supposed to take a reflective stance and try to review where I’ve been…and where I’m going…and where am I now? I’m not sure I figured anything out. But that attitude really suits the time of year, the weather and the anticipation of soon changing seasons. Autumn has always been my favorite time of the year and so I’m looking forward to it, as usual. One thing I did this month…to quote a very trippy and lo-fi Spine of God Monster Magnet song from 1992…

Bought another copy of ZOSO

I’ve lost count how many copies of Zoso I’ve had over the years, but if there is one album that you should always have on hand, it’s this one. Sorry Cardi B…maybe next time…or not. Is there really anything better than Led Zeppelin IV? I’m sure many people could list several things that are, but me, I’ve been in love with the album since high school. Yea, ok…I don’t need to hear Stairway to Heaven anymore, but I will never tire of listening to The Battle of Evermore, Misty Mountain Hop, Four Sticks, Going to California, and When the Levee Breaks…’cause John Henry Bohnam. That Jimmy Page guy was a pretty good guitarist and a heckuva producer too. Robert Plant and John Paul Jones were jeez…I think they still get work from time to time because they were pretty talented too. All I know is that it was good to hear this disc again…it was like…coming home to my past, while hearing strains of an unknown future as I meditated on the plane of all that will ever be. Wow! Reiki! That was pretty good… Maybe I AM spiritual.

I was also in the mood to swing, so I was looking around and I found this very mysterious album by one of my favorite jazz guitar players, the incomparable Barney Kessel. I wrote about Barney here and here and he is actually one of the more popular search terms to get to this blog. It’s great to know that there are a lot of Barney fans out there because he was one of the greatest guitar pickers that ever was. This album, Blues Guitar, is an odd one, for sure. Not one of the more well-known Barney offerings, it also has an interesting selection of songs: How High the Moon, Willow Weep for Me, Honeysuckle Rose, Out of Nowhere, Blue Moon, Limehouse Blues, and It Don’t Mean a Thing(If it Ain’t Got Swing) are all great swing standards and they feature the great Stephane Grappelli. Who knew these guys recorded together? Not me that’s for sure. Of course if you’re a Django Reinhardt fan like I am, you know Grappelli after about 3 notes and he brings his usual je ne sais quoi to the sessions. Barney is on fire as usual with this fleet-fingered chord melody and snaky, inventive single string lines. When he and Stephane trade-off on many choruses there are some totally frenetic and kinetic fireworks to be heard. Rockin’!! I mean Swingin’!! I also like the texture songs, Aquarius and Burt Bacharach‘s The Look of Love. What is very interesting is that a very small part of Barney’s guitar from this tune was sampled for a hip-hop track, The Look of Love, by Slum Village. Because of the exposure this group gave the song, Barney’s version is a thing with young guitar players who have learned the sample. Pretty cool if you ask me and good lookin’ out on Slum Village for sampling a class act and great guitarist!

Finally, I picked up the alternative guitar classic from 1984, Aerial Boundaries, featuring the absolutely mind-boggling Michael Hedges. How mind-boggling was Michael Hedges? Er…maybe Davey Graham, Pierre Bensusan, Edward Van Halen, and Leo Kottke all rolled into one, with a dash of Allan Holdsworth. I had this on LP back in the day and a club we used to play jazz at featured this between sets regularly…’cause it just has that sound: lovely textures, outside the box guitar tunings, percussive slap and hammer-on fingerpicking and strumming. This album was very influential for its time and what Hedges crafted as a style and way of approaching the guitar that still influences people today. Have a little watch and listen below to the title track. The whole album has a deep guitar ambience that I love and it perfectly completes my amazing guitar music purchase trifecta for the month. Enjoy what’s left of the summer!

Fingerpicking Good!

Here is a collection of great guitar players doing their thing without the standard flat-pick that many people use. Most of these players should be familiar to any guitarist and all of these players have had an impact on guitar playing. Personally, I love playing without a pick sometimes and one the best things a player can develop is the ability to play either with or without. There are many reasons for playing this way including:

• The ability to play complicated patterns and contrapunctal lines
• Greater control for attack
• A wide variety of tones from using different parts of the hand
• Greater control for damping (especially slide players)

Of course some players reach a level of mastery or that makes the pick completely unnecessary. Other players would have a really hard time even approaching what they do if they had to worry about holding on to anything. What’s great about the following videos is many of them have close-up views so you can really get a good look at what’s going on. YouTube really is a GREAT learning device. Plus all this music is pretty brill don’t you think?

Chet Atkins*

Michael Hedges

Bonnie Raitt*

Wes Montgomery

Jeff Beck

Kaki King

The Allman Brothers (Derek Trucks / Warren Hayes*)

* Chet Atkins and Bonnie Raitt are both using thumbpicks, but they are also using their fingers and Warren Hayes is switching back and forth between using a standard pick and just using his fingers.

The crab picture I shot myself in Mexico a few years ago. I’m not sure what kind it is and it looked pretty ferocious in person but was really shy. It came out from under the porch of the bungalow one night while I was playing guitar.