Welcome to the January release of ShortRiffs. Here are a few items that happened last month and early this month. I will try to make this a monthly feature. Feel free to let me know if there are things I should explore. I ALWAYS appreciate your feedback, tips and comments!
My holiday season was Great this year. Lots of fine times, great food and I played a gig! It was awesome. A three-hour gypsy-jazz Christmas party at a very private and exclusive club. It was a fun time and we were received very well from both the staff and patrons for our gypsy music, jazz standards and holiday songs. Highlights of the night included Django Reinhardt’s Danse Norvegienne, Troublant Bolero and Douce Ambiance, a great speedy version of There Will Never Be Another You and two holiday favorites, My Favorite Things (which is in our regular rotation) and a song I brought in, The Ventures’ version of Sleigh Ride, which was also a big hit and sounded great. Totally played it like a boss and of course the other guys are just killin’. We had a clarinet player sitting in with our usual guitar presentation so the mood was even more jazzy and festive. Good Times!
One thing that happened at the gig that wasn’t so great was that a new microphocation system I had purchased, the Audio Technica Pro 70, completely died on me. I had my suspicions that something was wrong because I went through the first battery in like an hour. Then at the end of our last song all of the sound cut out and it was just distorted noises. Some kind of short? I dunno. I had high hopes because a few bands I like use this mic and it seems to get a very dedicated acoustic sound. It was all good until it failed. I’m trying to get it replaced/repaired and see what happens. Obviously, I can’t recommend at this stage, but am holding off final judgement. If you want to hear what it should sound like, listen to the Gonzalo Bergara Quartet:
I heard the new Rolling Stones record everyone was talking about, Blue and Lonesome. This review here is pretty typical of what people are saying about it. Personally, I didn’t hear much to get excited about. I didn’t even like the song choice that much. I’ve listened to Sticky Fingers pretty regularly over the last few months. What a great record! Easily one of their best. Also some choice cuts from the ’65 years: I’m Free, I’m Movin’ On, Gotta Get Away, Doncha Bother Me and some later 70s stuff like When the Whip Comes Down, Shattered, Waiting on a Friend and Little T and A. When the Rolling Stones used to play the blues, they did it effortlessly. There was an insolence to how little they tried and/or cared. Look at the sleeve of Sticky Fingers; Mick is barely awake. That was part of the attraction. Now they’re all earnest and stuff and most reviews remark on how they still sound like they used to. Uh…they don’t, and all of the marketing and spin in the world is not going to change that. Multi-millionaires probably shouldn’t be trying to play the blues anyhow. If I was 70 and had their money, I would be on a beach 24/7/365.
HOLY BRAZEN THIEF BATMAN! IS THAT A GUITAR IN YOUR PANTS OR ARE YOU HAPPY TO SEE ME? THIS IS GOING TO MAKE MITT ROMNEY SUPER SAD! Yes, the one liners just write themselves don’t they? Here is the video. Looks like he stashed it in the drum department first, which may be as impressive as getting it out of the store. Someone wasn’t paying attention. He must’ve really WANTED that Strat!
Greg Lake passed away in December. That’s a shame, although by all accounts he had been battling cancer for awhile and was probably worn out. He was a prog rock legend given his associations with the awesome King Crimson, the very peppy and pyrotechnic, ELP, briefly in the very 80s Asia and as a solo artist. Although he was frequently a bass player, his guitar sound at times really captured the vibe of Olde English. Steve Howe and Jimmy Page also had this down. It’s almost like they could call up the sound of the Middle Ages anytime they wanted…and this was before there was such a thing as a Renaissance Fair. I very much liked his compositions From the Beginning, Still You Turn Me On, and Lucky Man. Any of those three songs was a favorite for acoustic guitar guys to play back in the 70s/early 80s and I still play From the Beginning from time to time.
Also, Butch Trucks, drummer for the Allman Brothers just passed away this week. Wow! This is a sad story. He and Jaimoe (Jai Johanny Johanson) were a drumming force to be reckoned with and had a lot to do with why the Brothers were the standard for that brand of rock for so many years.
I found this Dick Cavett with John and Yoko DVD as a giveaway a few months ago. I can’t imagine why anyone would want to part with it. *eyeroll* Watching it (and by that I mean “skipping around alot”) was an interesting and somewhat uncomfortable experience. I remember seeing one of these interviews back in the day when I was a a young lad because I had discovered The Beatles, but I certainly did not understand the whole early 70s Lennon thing. I’m not sure anyone understands or agrees on the facts any better today, but this DVD is a good window into the attitudes, habits and opinions of a very wacky time. The fact that people used to smoke cigarettes on television talk shows is probably hard for younger generations to believe. Dick Cavett had a lot of great musical guests on his program(s), including Jimi Hendrix, Janis Joplin, George Harrison, Oscar Peterson, Joni Mitchell, Ravi Shankar, and many others.
This 1971 interview occurred at the height of the Lennons’ post-Beatle political period. There are great moments of John Lennon wit; he was a funny, smart and interesting guy sometimes. Yoko… if you strip away the weirdness she always tries to affect, she is interesting and intelligent. They are both nervous and their relationship was probably very contentious at times as they constantly talk over each other. The persecuted artist complex thing gets old though; they did put themselves out there in some very silly situations (Bed-Ins, Bagism) and John had already seen the negative aspects fame can engender. I’m not sure if they thought everyone was going to love them for their radical and sometimes half-baked politics and if they did, why they thought that. The fact that a lot of the political/overly personal music was pretty terrible didn’t endear fans or critics to the new John Lennon either. For all of their revolutionary proclamations at this time, by the late-70s the couple would transition to what would become button-down 1980s Yuppie culture. Though elements of this culture are prevalent in modern American society, the whole shebang can be a bit like Beetlejuice too. I can’t help but think of Delia Deetz and Otho whenever Yoko talks about her “work“. As I discovered while researching for the post on Pete Townshend and The Who, both Pete and Yoko were influenced by Gustav Metzger and his concept of auto-destructive art. Pete destroyed guitars and Yoko made this noise on the while jamming with Chuck Berry.
I’m not a John and Yoko hater and don’t put any stock in those “tell-all” books that were written by people who supposedly knew the details of their relationship. Once their relationship became the thing, everything else came second. I don’t know who is to blame for that, if anyone. I don’t really care about musicians’ personal lives… and never have. I could read about the recording sessions, equipment, touring or composition all day long, but how John and Yoko or whoever else related to each other is a big <a href="https://www.youtubeIt's like reality television or supermarket tabloids. So overall I didn't find this that interesting, but it was free and there were some funny moments.
Finally, here is something fun and scientific. The legendary Bobby McFerrin shows the power of expectations and the Pentatonic scale. Isn’t this great? This short clip is part of a much longer presentation, Notes and Neurons: In Search of the Common Chorus This is an interesting talk and is related in a way to things I’ve discussed with the This Is Your Brain on Guitar posts, here and here. A great primer to start the new year for all aspiring musicians and improvisers out there!
Coming very soon — Christmas music and GuitarSong #6 — Django Reinhardt’s version of Night and Day.